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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Barry Humphries

Clifton Pugh

Previous exhibition, 2005

This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.

Australia (The Hon. Alfred Deakin)

Vanity fair

Magazine article by Ashleigh Wadman, 2012

Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.

Johnny O'Keefe

Making Portraits

Five Years of National Portrait Gallery Commissions

Previous exhibition, 2004

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery

Jon (Jon Muir)

Roam alone

About Face article

Jon Muir, adventurer and Portrait Gallery Collection subject, really knows about isolation.

Untitled #88 (Captain Brad Kilpatrick and Kylie Minogue, Balibo, East Timor, 20 December 1999)

For the boys

Magazine article by Alistair McGhie, 2011

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

Portrait bust of Dr Christine Rivett

In the round

Magazine article by Andrew Sayers AM, 2009

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

"Just what is it that makes today's homes so different, so appealing?", 1956

Pop goes the preconception

Magazine article by Paul Moorhouse, 2007

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.

Peter Wilmoth, age 12, with copies of Our World 1974 Courtesy of the author

Paper, boy

Magazine article by Peter Wilmoth, 2016

Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.

Abduction/The Forest, 2009 © Pushpamala N.

Pushpamala N

Pushpamala N. was born in 1956 in Bangalore. Her early training was in sculpture, but as her practice progressed she brought an early enthusiasm for narrative figuration into her photographic work.

Thomas Sutcliffe Mort and his wife Theresa

Tiny Trace of a Colonial Giant

Magazine article by Dr Sarah Engledow, 2004

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay

General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency